Graham Burchell

Raw Landscape exhibition at Harbour House in Kingsbridge (preview)

The idea of a conversation between a painting and a poem may sound bizarre, but listen hard and it seems to make
perfect sense. Both are products of a very similar artistic process - and while the outcome may be very different, the thinking behind is certainly not. Artists Anita Reynolds and Mike Glanville had been planning the Raw Landscape
exhibition, which opened on September 15 in Kingsbridge, South Devon. Both had two books by the poetry group Moor

Poets on their shelves and had often dipped into them for inspiration for their work.

Anita has been inspired by the rugged, raw landscapes of Dartmoor for years. Mike is more fired up by the South West's coastline, yet he shares Anita's passion for untamed landscapes and wild nature - not for him boats bobbing in a turquoise bay.

Inspiration was aided by two of the poems in the books - Groundswell by Lyn Browne and Stream by Jennie Osborne.

"As we had been using the poems we thought we ought to phone them up and ask their permission," said Anita. "And that's how the friendship began."

But this wasn't just a simple case of two paintings being inspired by two poems.

After that initial phone call, friendships grew, paintings inspired more poems and those words in turn led to newer, bigger and deeper pieces of art. It is a collaboration that has taken them all by surprise, but one they feel has been a success worth building on.

Raw Landscape will feature Anita's and Mike's work - paintings, prints and mixed media pieces - and the poetry that played a part in the creative process will also be on show at the Harbour House gallery, until Sunday, September 27.

Members of the Moor Poets group looked at a selection of work by Mike and Anita and wrote poems in response to some of them.

Graham Burchell wrote poems about some of Mike's Hallsands woodcuts and three poets wrote about Anita's work.

But the dialogue did not end there. From those poems, Anita has produced some striking square columns, a cross between print and sculpture and seem deeply symbolic.

Poet in Residence for the Day

With fellow Moor Poets Simon Williams and Susan Taylor, I spent Saturday,
September 19th in the grounds of
sculptor Heather Jansch. More than a studio, this is an entire landscape where her sculptored horses, arches etc have become an integral part of this special environment. This was an opportunity to relax in a stunning Devon valley, write three poems, admire the artist's genius and talk with her and visitors about
poetry, art, the importance and the sad decline of interest in the former